Arsenal is offering a workshop in 16mm shooting, processing, archiving, print inspection and cleaning, digitization and projection in cinema from September 27th to October 1st. Arsenal members and partners will accompany the participants through the entire process: from producing a 16mm film, to digitizing it, then on to projecting it in the cinema, with added insights into archiving and caring for prints.

KADDU BEYKAT (Letter from My Village, Senegal, 1975) by Safi Faye has won the third edition of the Locarno Heritage Restoration Contest. The film is not only considered a milestone in African film history, but also a work of global historical and artistic significance.

Slowly, 12-year-old Anna and her deaf mum are starting to feel a bit cramped in their flat. It’s not just the lack of privacy that’s causing friction – Anna has just started secondary school and quickly realises what’s important now: brand-name clothes and a sense of belonging. In her debut, director and author Marie Luise Lehner stages a confrontation with classist structures, which Anna tackles with a mixture of shame and grit.

Art and academic mediator and educator Stefan Aue takes over the position of Commercial Director of Arsenal – Institute for Film and Video Art from August 1^st, 2025 and will now head the Board of Directors together with Artistic Director Stefanie Schulte Strathaus. He replaces lawyer and art historian Anna Mallmann, who is leaving Arsenal after a period of three-and-a-half years.

The 16th Arsenal Summer School on the topic "On Location: Cinema in the neighborhood" will take place from August 20 to 22, 2025 at silent green.

Arsenal – Institute for Film and Video Art is now a member of FIAF (Fédération Internationale des Archives du Film / International Federation of Film Archives). At its general assembly in Montreal on May 1 and 2, it was decided to covert Arsenal’s associate membership, which had been in place since 2019, into a full membership.

Wilhelm Hein died on March 15^th at the age of 85 following a long illness. He was one of the most influential and radical experimental filmmakers of the generation that turned cinema inside out from the 1960s onwards. His life partner, photographer Annette Frick, with whom he published the image magazine “Jenseits der Trampelpfade” since 1992, announced the news yesterday.  

In addition to the Silver and Golden Bears, various independent juries award prizes at the Berlinale. Forum films received several awards this year.

The Berlinale Documentary Award 2025 goes to HOLDING LIAT by Brandon Kramer. The Forum films CANONE EFFIMERO and LA MEMORIA DE LAS MARIPOSAS (The Memory of Butterflies) received Honorary Mentions.

This year's Caligari film prize goes to FWENDS by Sophie Somerville. The jury finds the film to be “a vivid document of a tangibly pleasurable creative process, a cosmopolitan testimony to the fears and motivations of young women”.

Instead of telling the story of a shut down publishing house and its books, René Frölke's new film digs through its legacies. Each one becomes a fragment. The film drifts along these traces, in the wake of the music of its protagonist Tessa, in search of its own human history of knowledge and symbol production.

We are deeply concerned to learn of the Berlin Senate’s planned budget cuts in the cultural sector. While Arsenal does receive funding from the Federal Ministry of Culture and Media, we see ourselves indirectly affected by these austerity measures.

After it says goodbye to Potsdamer Platz at the beginning of 2025, Arsenal will kick off a year without its own screens before a new cinema opens in the silent green Kulturquartier of Berlin's Wedding district in early 2026.

There were a number of different reasons for the naming of Kino Arsenal in 1970. One of them was the allusion to the silent film by the Ukrainian director Oleksandr Dovzhenko from 1929. We asked the author and film critic Bert Rebhandl to look at the film again from today's perspective. The result is a comprehensive research and re-examination.