An interview is close to an avowal, a confession, an interrogation, a "talking cure" and seems based on the law of absolute identification. The person speaking assures us that s/he is doing it in her/his name. An interview is a place where one plays oneself, constantly affirming oneself and performing, in which speech acts are used to claim a one-to-one identity. The interviewer's attention and behavior are challenged in a very particular way. Where do you position yourself? How do you inter-react? What ideas of exchange do you have? What will happen after the interview? Our film program presents three films for discussion. In Alan Berliner's NOBODY'S BUSINESS (USA 1996, 6.6.), the witness refuses to speak, in Hayn / Remmert's SCHULDNERBERICHTE (D 2002, 13.6.) the interviews are anonymous and Syberberg's SEX-BUSINESS – MADE IN PASING (BRD 1969, 27.6.) is a situational "contribution to film sociology in Germany 1969". (Madeleine Bernstorff)
Doberaner Jubiläum Friedrich Rochow GDR 1966 35 mm 17 min
Barfuß und ohne Hut Jürgen Böttcher GDR 1964 35 mm 8 min
Ribnitz-Damgarten Alfons Machalz GDR 1989 DigiBeta 24 min
Der Darß Joop Huisken GDR 1967 35 mm 16 min
Heimweh nach Rügen oder "Gestern noch war ich Köchin" Róza Berger-Fiedler GDR 1977 35 mm 11 min
Selliner Fotograf Heinz Brinkmann GDR 1988 35 mm 11 min
Drei Perlen Gerhard Jentsch GDR 1966 35 mm 22 min
The Silence of the Lambs Das Schweigen der Lämmer Jonathan Demme USA 1991
Mit Jodie Foster, Anthony Hopkins 35 mm OF 117 min
Essay über ein Fischweib oder Min Herzing Uwe Belz GDR 1974 35 mm 15 min
Kurt Röver – Schiffbauer Unknown GDR 1982 DigiBeta 21 min
De Goliath und sin Crew Uwe Belz GDR 1984 35 mm 20 min
Danz mit mi Gerhard Jentsch GDR 1956 DigiBeta 21 min
Drei Häfen an der Ostsee Hans Lindemann GDR 1956 35 mm 13 min