The 8th edition of ALFILM is presenting artistically demanding cinema from the Arab world between 31st March and 7th April, with feature and documentary films that depict new perspectives on societal challenges but also pose questions with regard to identity and personal fulfillment.
The opening film is RABIH (Tramontane, Vatche Boulghourjian, Lebanon/France/Qatar/UAE 2016, guest: Vatche Boulghourjian & composer Cynthia Zaven): Rabih is a blind and talented musician and singer who lives in a village in Lebanon. When his chorus is invited to perform abroad, he applies for a passport. He finds out that his papers are false and his identity is not what his family had led him to believe. He travels across the country to find out more about his background, but instead of finding answers he encounters more mysteries. His search takes him to the peripheries of Lebanon, to the ghosts of the past.
Film academies are not only places where students train but places where productions emerge. Since the dffb's establishment on 17th September 1966, thousands of films have been made - long and short, documentary, fiction and experimental. From March 20-30, we are showing a selection to celebrate 50 years, from the beginnings to the present.
In view of the quantity of productions, such a retrospective cannot make any claims as to representativeness. It also seems to make little sense to concentrate on graduates who are known and already prominent in daily cinema life. Instead, this is an invitation to discover aspects of filmmaking at the dffb that have remained hidden and yet are undoubtedly important components of German film and television history.
We are focusing on grand gestures for this month's Magical History Tour - on films located in the space between excess and opulence, whose exuberance is manifested either by the director's unlimited personal involvement or by an unfettered artistic vision. However, opulence and excess are by no means an end in themselves, but instead represent the expression of a desire for change asserting itself against manifold constraints and obstacles. Our program features films that are committed to absolute realism alongside ones that find their appropriate form in extreme stylization.
Dziewczyna do wzięcia Marriageable Girls
Janusz Kondratiuk Poland 1972
Beta SP OV/EnS 45 min
Wniebowzięci Andrzej Kondratiuk Poland 1973
Beta SP OV/EnS 44 min
René Czech Republic 2008
35 mm OV/EnS 90 min