Mohanad Yaqubi

Off Frame aka Revolution until Victory
2016

For further information please download the respective Forum Expanded sheet (PDF).

“… and for those who suffer from invisibility, the camera would be their weapon.” (Elias Sanbar)
Off Frame aka Revolution until Victory traces the fragments of a revolution, combining images from a dream for freedom, using films from the Palestinian struggle cinema, a term used for films produced in relation to the Palestinian revolution between 1968 and 1982. For the outside world, these films represented a model of a people engaged in political struggle, explaining why they are fighting and against whom. But for Palestinians these films marked the transformation of their identity: from refugee to freedom fighter. The Palestinian revolution collaborated with filmmakers, actors, and activists from Syria, Italy, UK, Lebanon, France, Germany, Argentina, and many others, and made partnerships with institutions in Berlin, Moscow, Baghdad, and Cuba. Despite their prolific output, very few of their works remain. The film brings together moments from a selection of these militant films into one timeline. The only coherent relation between all the shots, clips, and sequences is that they all straddle the borders between fiction and propaganda, dream and reality, in order to represent a narrative of a people in struggle.

Mohanad Yaqubi, born in 1981 in Kuwait, is a filmmaker and producer and teaches Film Studies at the International Art Academy in Palestine. He is one of the founders of the Ramallah-based production outfit Idioms Film and the research and curatorial collective Subversive Film, which focuses on militant film practices. He has directed and produced several short films, both fiction and documentary, which have been shown in international festivals.

Production: Idioms Film, Ramallah; Monkey Bay Productions, Marseille
Screenplay: Reem Shilleh
Camera: Sara Sea
Cast: Mustafa Abu Ali, Sulafa Jadallah, Hani Jawaharieh, Yaser Arafat

Running time: 63 min
Language: Arabic, English

Photo: © Mohanad Yaqubi

Riwaq

Bawabet Yafa / Jaffa Gate
2016

For further information please download the respective Forum Expanded sheet (PDF).

“Sunday, 18 December 1917, Field Marshall Allenby entered Jerusalem in a great military ceremony, marking the official victory and the conquest of Jerusalem... I still recall this great day, when he entered the Jaffa Gate.” (Wasif Jawhariyyeh)

The multimedia installation Bawabet Yafa questions the notion of heritage and memory in Palestine by looking into the space of the Jaffa Gate through the lens of early photography in Palestine and the lively memories of Wasif Jawhariyyeh. This narrative tells an alternative story of the relationship between the material past and the national imagination that takes future generations into account and shows that the built environment, although not recognized as heritage, was part of the spatial discourse related to knowledge production about past events (in the future). Bawabet Yafa makes it possible to speculate, “What would have happened if Jawhariyyeh had kicked Ashbee’s* butt?”
*Charles Robert Ashbee was the appointed civic adviser to the British Mandate of Palestine and responsible for removing the clock tower of the Jaffa Gate. Wasif Jawhariyyeh was his secretary.

Khaldun Bshara, born in 1972 in Palestine, is an architect, restorer, and anthropologist who lives and works in Ramallah. He is the Director of Riwaq Centre in Ramallah, where he has worked since 1994. Bshara has carried out many architectural design and restoration projects and is the author of a number of books and articles. Bshara’s work explores the relation between space and identity formation. Particularly, he is interested in margins, peripheries, or liminal spaces that challenge grand identity narratives and grand theories on space.
Mohanad Yaqubi, born in 1981 in Kuwait, is a filmmaker and producer and teaches Film Studies at the International Art Academy in Palestine. He is one of the founders of the Ramallah-based production outfit Idioms Film and the research and curatorial collective Subversive Film, which focuses on militant film practices. He has directed and produced several short films, both fiction and documentary, which have been shown in international festivals.

Production: Idioms Film, Ramallah; Riwaq, Ramallah
Research: Kaldun Bshara
Video “On That Day” directed by: Mohanad Yaqubi
3D Model
: Yousef Taha

Format: Multimedia installation
Language: Arabic, English

Photo: © Mohanad Yaqubi