december 2019, arsenal cinema

Kenji Mizoguchi Retrospective

Famed for the free-flowing glide of his camera movements and the striking beauty of his visual composition; celebrated for the complexity of his minute-long plan sequences and the extraordinary care and precision with which he made landscapes, architectures, and décor into the protagonists of his films; honored both for his early, unflinching social studies as well as his moving, historical melodramas: Kenji Mizoguchi (1898–1956) is undoubtedly one of the greatest directors ever to work in Japanese cinema. He actually only became famous outside Japanese with his later works, following numerous awards at European film festivals for SAIKAKU ICHIDAI ONNA (The Life of Oharu, 1952), UGETSU MONOGATARI (Tales of the Rain and Moon, 1953), and SANSHO DAYU (Sansho the Bailiff, 1954). The possibility of gaining a more comprehensive insight into Mizoguchi’s comprehensive oeuvre – his first films are from the 20s, with his having made over 80 films as a director – thus only offered itself late on and remains only partially possible to this day, as a large part of his early works are lost. Regardless of this, the section of his oeuvre still accessible made Mizoguchi a fixed great within international film history, able to be grasped in numerous ways, zig-zagging through different genres and film studios, and making use of a wide range of formal approaches and themes.

In terms of the importance and influence of his filmmaking, Mizoguchi is often mentioned in the same breath as his directorial colleagues Yasujiro Ozu or Akira Kurosawa. Yet Mizoguchi’s films are screened comparatively rarely in cinemas. That’s why we’re all the happier to present a long overdue 22-film Mizoguchi retrospective at Arsenal with the help of funding from the Federal Capital Cultural Fund and are thus able to tap into a body of work of singular directorial, visual, and narrative richness as well as great emotional depth.

december 2019, distribution news

New in the arsenal distribution range

From December 12-15, arsenal distribution presents a selection of artists’ works as Berlin cinema premieres with the filmmakers in attendance: DESERT VIEW by Daniel Kötter, Constanze Fischbeck and the Barakat family (Germany 2018), Dani Gal's trilogy NACHT UND NEBEL (Israel 2011), WIE AUS DER FERNE (Germany/Austria 2013) and WHITECITY (Germany 2018) as well as his FIELDS OF NEUTRALITY (THE LAST INTERVIEW WiTH LUDWIG MIES VAN DER ROHE) (Germany 2019), parts 4-6 of Minze Tummescheit and Arne Hector's longitudinal project IN ARBEIT (Germany 2007-2017), Katrin Pesch's EDGEWOOD (USA 2019) and FINDING THINGS I DON’T WANT TO FIND (USA 2016) and last but not least RASENDES GRÜN MIT PFERDEN by Ute Aurand (Germany 2019).

december 2019, arsenal cinema

Magical History Tour - Bodies in Film

Since cinema began, part of the fascination of the moving image has stemmed from the way in which the bodies of the people acting on the screen are represented: it’s no coincidence that the first ever film footage shows contented workers, men exercising or boisterous children. It wasn't long until Méliès extended these short documentary scenes by adding cinematic (corporeal) experiments of a fantastical or even drastic nature: images of elegant dancers that disappear as if by magic, images of headless skeletons on the prowl or heads that inflate like balloons and explode. With these two poles as a starting point, the staging of bodies (and body parts) in film went on to become a fundamental means of cinematic expression whose diverse manifestations have had a substantial effect on how we think about human physiology.

This month's Magical History Tour presents notable images of the body from 90 years of film history, showing the special physical presence exuded by bodies of longing, objects of projection, foreign or collective bodies, the re-animated and corporeal hybrids.

arsenal cinema: Contested Grounds: Films by Shinsuke Ogawa and Ogawa Pro

07:30 pm Cinema 2


Ogawa puro homonki

*Ogawa puro homonki A Visit to Ogawa Production
Jun’ichiro Oshige Japan 1981/1999
16 mm OV/GeS 60 min

arsenal cinema: Nachdemfilm is 20 years old

08:00 pm Cinema 1


Consumer Art

Das Portrait

Subjektitüde

His-Story

Im Prinzip haben wir nichts gegen Mädchen

If Every Girl Had a Diary

Consumer Art Natalia LL Poland 1972
Digital file without dialogue 16 min
*Das Portrait May Spils
FRG 1966 35 mm 11 min
*Subjektitüde Helke Sander
FRG 1970 16 mm 5 min
His-Story Elsa Rassbach FRG 1972
Digital file 22 min
*Im Prinzip haben wir nichts gegen Mädchen
Riki Kalbe FRG 1976 16 mm 13 min
If Every Girl Had a Diary Sadie Benning
USA 1990 Digital file OFV 8 min

Presentation of the new issue of nachdemfilm
arsenal cinema: Contested Grounds: Films by Shinsuke Ogawa and Ogawa Pro

09:00 pm Cinema 2


Manzan benigaki

*Manzan benigaki Red Persimmons
Shinsuke Ogawa, Xiaolian Peng Japan 2001
16 mm OV/GeS 90 min