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january 2020, distribution news

"Delphine et Carole, insoumuses"

by Callisto Mc Nulty

In the 1970s, legendary actress Delphine Seyrig could be seen on the big screen as a singing fairy, a lesbian vampire, an ethereal ambassador’s spouse, and a potato-peeling housewife. She was active as a feminist at the same time, which equally meant taking the camera into her own hands. Along with Carole Roussopoulos, she was one of the first video activists in France, not only documenting protests by the French women’s movement, but also using the new medium to counter the dominant representation of women on TV and elsewhere with their own images and commentaries.

january 2015, distribution news

Asynchronous

Documentaries and Experimental Films on the Holocaust. From the Collection of the Arsenal

2020 is dedicated to the remembrance of the victims of the Holocaust – a subject that is of particular significance for our institution, given that the cinematic engagement with the Holocaust has formed a key concern of our work since the very foundation of our association in 1963. This is still apparent to this day, whether in our cinema program, that of the Berlinale Forum, or in our arsenal distribution portfolio. Against this backdrop, a selection of 46 documentaries and experimental films that deal with the Holocaust, but also with subjects such as exile and forced labor during the Nazi era, had been put together from our film collection in 2015.

december 2019, distribution news

"Bait"

by Mark Jenkin, opens October 24, 2019

The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.

 

december 2019, distribution news

New in the arsenal distribution range

From December 12-15, arsenal distribution presents a selection of artists’ works as Berlin cinema premieres with the filmmakers in attendance: DESERT VIEW by Daniel Kötter, Constanze Fischbeck and the Barakat family (Germany 2018), Dani Gal's trilogy NACHT UND NEBEL (Israel 2011), WIE AUS DER FERNE (Germany/Austria 2013) and WHITECITY (Germany 2018) as well as his FIELDS OF NEUTRALITY (THE LAST INTERVIEW WiTH LUDWIG MIES VAN DER ROHE) (Germany 2019), parts 4-6 of Minze Tummescheit and Arne Hector's longitudinal project IN ARBEIT (Germany 2007-2017), Katrin Pesch's EDGEWOOD (USA 2019) and FINDING THINGS I DON’T WANT TO FIND (USA 2016) and last but not least RASENDES GRÜN MIT PFERDEN by Ute Aurand (Germany 2019).

november 2019, distribution news

"Querência / Homing"

by Helvécio Marins Jr., opens: November 11, 2019

Marcelo de Sousa is a cowboy in the Brazilian pampa. He likes his job, the riding, the cattle, which he tenderly calls by their names, and the land that feeds him. After he’s unable to prevent a vicious raid on the ranch, which results in a hundred cattle in his charge being stolen, nothing is the same. He becomes depressed and gives up his job. Luckily, he has good friends and a big passion, blossoming in his role as the master of ceremonies at rodeo shows. His rousing rap-style announcements pay homage not only to the cowboy culture but also to the solidarity of the rural community, which has little trust in the country’s political leadership.

november 2018, distribution news

"Klassenverhältnisse" (Class Relations, FRG/F 1983)

by Danièle Huillet and Jean-Marie Straub

Based on the Franz Kafkas incomplete first novel, "Der Verschollene (Amerika)", CLASS RELATIONS is told from the perspective of a young German who emigrates to the US to encounter a strange new world. Harun Farocki and Thom Andersen appear in the film as well as Alf Bold, a long time colleague of ours.