This time, the public screening of a film from the Arsenal archive is being organized by the DFG graduate school “Visibility and Visual Production: Hybrid Forms of Iconic Knowledge.” In the rarely screened film EROSU + GYAKUSATSU (Eros + Massacre, Yoshishige Yoshida, Japan 1969), Japanese anarchism in the ’20s meets the student life of the late ’60s. The central focus is the love relationships of the anarchist Ōsugi Sakae, who was assassinated by the military, with three women, each of whom has a different claim over what Ōsugi stood for. This in turn also interests two students who have been influenced by Ōsugi’s ideas about life, for example looking into what the politics of free love is all about.