With a concentration on a small number of characters and spaces, a focus on inner conflicts and a clear restricted timeframe, the key components of the “Kammerspiel” film genre that came about in the 1920s appear ascetic. But often a particular sense of drama emerged from the extreme paucity of place, time and plot that was conveyed and intensified by the subjectifying use of light and by a moving camera, which in the protagonists’ immediate vicinity recorded the tiniest changes in gestures and facial expressions. The film movement, which was inspired by the modern stage design ideas Max Reinhardt had implemented from 1906 onwards on a new Berlin stage that was also called Kammerspiele, experienced its first (perhaps the only one in a classical sense) peak at the beginning of the Twenties and marked the transition from Expressionist film forms to realistic trends. Its resonance in film history is varied, ranging from standard reverential homages to earlier examples of the genre to creative variations on it (or individual aspects). Subjective as always, we have brought together a few for this month’s Magical History Tour.