In the 1970s, legendary actress Delphine Seyrig could be seen on the big screen as a singing fairy, a lesbian vampire, an ethereal ambassador’s spouse, and a potato-peeling housewife. She was active as a feminist at the same time, which equally meant taking the camera into her own hands. Along with Carole Roussopoulos, she was one of the first video activists in France, not only documenting protests by the French women’s movement, but also using the new medium to counter the dominant representation of women on TV and elsewhere with their own images and commentaries.