Since the first time films were shown in 1895, they were accompanied by sounds and music. Both then and now, noises, music, and sounds were combined. Before we make our own sound experiments and create a soundtrack to LE CHAUDRON INFERNAL (Georges Méliès, France 1903) together and play it live, we discover what can be seen and heard in six short films: we walk through a corn field in SUSAN THROUGH CORN (Kathleen Laughlin, USA 1985) and experience Rosalie in love and dancing in ROSALIE DANSEUSE (Romeo Bosetti, France 1911). FADENSPIELE III plays with mountains, lines, and sounds (Detel Aurand, Ute Aurand, Germany 2013). ZWEIGROSCHENZAUBER (Hans Richter, Germany 1930) presents us an eddy of images, sounds, and words, MOTHLIGHT (Stan Brakhage, USA 1963) moths in the light, and LE CHAUDRON INFERNAL miraculous transformations. (em) From 8 years upwards (20.10.)
Impulsreferat und anschließendes Podiumsgespräch von Claudia Zeitler (FFA) : Die neue Digitalisierungsoffensive: „Förderprogramm Filmerbe“
Podium: Laura Holtorf (Wim Wenders Stiftung), Peter Fries (Omnimago, Ingelheim), Martin Koerber (Deutsche Kinemathek, Berlin), Thomas Worschech (DFF – Deutsches Filminstitut & Filmmuseum, Frankfurt), Moderation: Christiane Peitz (Tagesspiegel-Redakteurin)
11.30: Vortrag von Anna Sienkiewicz –Rogowska (Filmoteka Narodowa – Instytut Audiowizualny (FINA), Warschau): A Decade of Changes: Financing, Organisation and Technology. The National Film Archive – Audiovisual Institute as a Competence Centre in the Digitisation of Audiovisual Collections. In englischer Sprache
13.30: Vortrag von Oliver Danner (Tonrestaurator): Einführung in die Erhaltung historischer Tonspuren.
14.00: Werkstattbericht von Anke Mebold (DFF – Deutsches Filminstitut & Filmmuseum, Frankfurt): Sprossenton Vielfarbig – Tücken der Tondigitalisierung
14.30: Werkstattbericht von Anke Mebold (DFF – Deutsches Filminstitut & Filmmuseum, Frankfurt), Oliver Hanley (Filmuniversität Babelsberg), Oliver Danner (Tonrestaurator): Den Ton aus vollem Halse schmettern (können?) – Die Restaurierung des tönenden Stummfilms von „Die Jagd nach der Million“
Die Jagd nach der Million Max Obal
Germany 1930 DCP 91 min
Gigant Berlin Leo de Laforgue
FRG 1964 DCP 87 min
Ji-ok-hwa / A Flower in Hell Shin Sank-ok
Republic of Korea 1958 35 mm OV/EnS 86 min
Eoneu yeodaesaengui gobaek / A College Woman’s Confession
Shin Sang-ok Republic of Korea 1958
35 mm OV/EnS 121 min