November 2019, arsenal cinema

Peter Lilienthal Retrospective (2) 


DAVID, 1980

“In his films, he assembles a family, people from all manner of countries, shipwrecked people, and those crossing borders, dreamers and scroungers”, wrote Michael Töteberg about Peter Lilienthal. A film series to coincide with Lilienthal’s 90th birthday shows the thematic and stylistic breadth of his work, which was created in Germany, but also in Israel, Latin America, and the US.

DAVID (West Germany 1979, 1.11.) shows the life of a Jewish adolescent in Berlin during the Nazi era, whose family is falling apart in face of the threat. Lilienthal, who escaped Berlin in 1938 and fled to Uruguay, succeeds in making a piercing study with tinges of the autobiographical.

DER AUFSTAND (West Germany 1980, 2.11.) was made in relation to Lilienthal’s engagement in Latin America as a direct reaction to the Sandinista Revolution and shows how a government solider moves to the side of the revolutionaries.

DEAR MR. WONDERFUL (West Germany 1982, 3.11.) is set in North America and features Scorsese star Joe Pesci as the owner of a run-down bowling alley who loses everything when he gets in the way of real estate speculators.

DAS AUTOGRAMM (West Germany/France 1984, 8.11.) is set in a Latin American ruled by dictators. A boxer and a bandoneon player make a living at public fairs, but are forced by the circumstances to take on a political stance.

DAS SCHWEIGEN DES DICHTERS (West Germany 1987, 9.11.) A poet refuses to put his apparently mentally handicapped son into a home. Years later, the son takes on the care of his now-elderly father and discovers the world of language thanks to his poems.

DER RADFAHRER VON SAN CRISTOBAL (West Germany 1989, 10.11.) shows a protagonist who is actually apolitical, but who must show his political and moral integrity in conflict with political forces.

The film series was put together as a collaboration between the Deutsche Kinemathek, the Vietinghoff Filmproduktion, the Zeughauskino, the Akademie der Künste, and the Edgar-Reitz-Stiftung. The digitization of the films was supported by the FFA’s film heritage funding program.

arsenal cinema: Film:ReStored_04. The Film Heritage Festival

10:00 am Cinema 1


Barrierefreie Tonspuren: Podiumsgespräch

Barrier-free soundtracks: Panel discussion with Anke Nikolai (Producer audio descriptions), Barbara Fickert (Kinoblindgänger gGmbH), Stefanie Eckert (DEFA-Stiftung), Moderation: Jurek Sehrt (Deutsche Kinemathek) in German language

arsenal cinema: Film:ReStored_04. The Film Heritage Festival

02:00 pm Cinema 1


Die Reise nach Sundevit

*Die Reise nach Sundevit Heiner Carow GDR 1966
DCP with open audio description 75 min

arsenal cinema: Film:ReStored_04. The Film Heritage Festival

02:00 pm Cinema 2


Zwischenzeit

*Zwischenzeit Wendländische Filmkooperative FRG 1985
DCP with open audio description 120 min

Introduced by Alexander Fichert (audioskript)
arsenal cinema: Film:ReStored_04. The Film Heritage Festival

04:30 pm Cinema 1


Jeder für sich und Gott gegen alle

Jeder für sich und Gott gegen alle Werner Herzog FRG 1974
DCP with open audio description 109 min

arsenal cinema: Film:ReStored_04. The Film Heritage Festival

07:30 pm Cinema 2


Es geschah am hellichten Tag

*Es geschah am hellichten Tag Ladislao Vajda CH/FRG/E 1958
DCP with open audio description 99 min

Introduced by Martina Wiemers (Deutsch Hörfilm gGmbH)
arsenal cinema: Spring on the Korean Peninsula: Korean Cinema 1934–1962

09:00 pm Cinema 1


Yeo-pansa/ A Female Judge

Yeo-pansa/ A Female Judge Hong Eun-won
Republic of Korea 1962 DCP OV/EnS 86 min

Introduced by Ansgar Vogt