Flora Gomes’ sensational feature film debut "Mortu Nega" (1988) was long considered considered the beginning of cinema in Guinea-Bissau, and the director has remained one of the industry's most important actors. His early work as a documentarist of the Guinean liberation struggle is less known - it is a collective film oeuvre interwoven with the decolonization process that has come back into focus thanks to Arsenal's "Visionary Archive" project. (Forum Expanded panel at the Berlinale on 11.2).
The cinema evening on 17.2 gives an opportunity to see and discuss two films with Flora Gomes: his feature film PO DI SANGUI (1996) about an exodus from a drought-threatened village community, and the last film by the Senegalese visionary of cinema Djibril Diop Mambéty - LA PETITE VENDEUSE DE SOLEIL (1999).