We are very happy that the majority of works from this year's Forum Expanded can now be booked via our catalogue: KING LOST HIS TOOTH and T.S.T.L (Libanon 2012) by Gheit Al-Amine, AS THEY SAY (Hicham Ayouch, Morocco, United Arab Emirates 2011) FALGOOSH / BLAMES AND FLAMES (Mohammadreza Farzad, Iran 2011), THE CONDITION OF THE WORKING CLASS IN ENGLAND – LITTLE IRLAND. 1842/ 2011 (Rainer Ganahl, Austria, Great Britain, USA 2011), BYE BYE (Paul Geday, Egypt, The Netherlands 2012), MY FATHER IS STILL A COMMUNIST, INTIMATE SECRETS TO BE PUBLISHED (Ahmed Ghossein, Libanon 2011), O.G.B.I.P. [ Our Global Behaviour Is Psychopathic II ] (Virlani Hallberg & Jennifer Rainsford, Sweden 2011), RIVERRED (Eva Heldmann, Germany 2011), TROLLSLÄNDOR MED FAGLAR OCH ORM / DRAGONFLIES WITH BIRDS AND SNAKES (Wolfgang Lehmann, Sweden, Germany 2011), LA ROUGE ET LA NOIRE (Isabelle Prim, France 2011), PERIL OF THE ANTILLES (Fern Silva, USA, Haiti 2011), FATHER, MOTHER, WHAT SHOULD I FILM TODAY? (Isabell Spengler, Germany 2011) as well as installative works like BAROMETER (I) (Heike Baranowsky, Germany 2011), A TALE OF TWO ISLANDS (Paola Calvo & Steffen Köhn, Germany 2011), A WORLD OF OUR OWN (Eline McGeorge, Norway, Great Britain 2011), SEEKING THE MONKEY KING (Ken Jacobs, USA 2011) and VENUS MISSION (Anne Quirynen, Belgium, Germany 2012).

We are very happy that the majority of works from this year's Forum Expanded can now be booked via our catalogue: KING LOST HIS TOOTH and T.S.T.L (Libanon 2012) by Gheit Al-Amine, AS THEY SAY (Hicham Ayouch, Morocco, United Arab Emirates 2011) FALGOOSH / BLAMES AND FLAMES (Mohammadreza Farzad, Iran 2011), THE CONDITION OF THE WORKING CLASS IN ENGLAND – LITTLE IRLAND. 1842/ 2011 (Rainer Ganahl, Austria, Great Britain, USA 2011), BYE BYE (Paul Geday, Egypt, The Netherlands 2012), MY FATHER IS STILL A COMMUNIST, INTIMATE SECRETS TO BE PUBLISHED (Ahmed Ghossein, Libanon 2011), O.G.B.I.P. [ Our Global Behaviour Is Psychopathic II ] (Virlani Hallberg & Jennifer Rainsford, Sweden 2011), RIVERRED (Eva Heldmann, Germany 2011), TROLLSLÄNDOR MED FAGLAR OCH ORM / DRAGONFLIES WITH BIRDS AND SNAKES (Wolfgang Lehmann, Sweden, Germany 2011), LA ROUGE ET LA NOIRE (Isabelle Prim, France 2011), PERIL OF THE ANTILLES (Fern Silva, USA, Haiti 2011), FATHER, MOTHER, WHAT SHOULD I FILM TODAY? (Isabell Spengler, Germany 2011) as well as installative works like BAROMETER (I) (Heike Baranowsky, Germany 2011), A TALE OF TWO ISLANDS (Paola Calvo & Steffen Köhn, Germany 2011), A WORLD OF OUR OWN (Eline McGeorge, Norway, Great Britain 2011), SEEKING THE MONKEY KING (Ken Jacobs, USA 2011) and VENUS MISSION (Anne Quirynen, Belgium, Germany 2012).

This month's Filmmakers' Choice session on June 25 will be presented by artist Deborah Phillips: "I looked for films in which colors, textures, light and time were more important than people and stories. More and more, my research became a journey of discovery into the East European part of the Arsenal Archive. We begin with a film that observes nature, VIRAGAT A NAPNAK. In EXÚ, which features magical compositions by Christoph Janetzko, reality is consumed. Painting in movement ENCOUNTER and ani-mated buttons GUZIK lead on to my animated painting film in different dimensions UNTITLED COLOURMATION whereas EYE MUSIC IN ED MAJOR, a classic of pure color and light, paves the path to one of the most interesting portraits of an artist: WITOLD LUTOSŁAWSKI. HEAT SHIMMER is a subtle example of the three-color separation process, which brings us back to the observation of nature." (D. Philipps)