may 2018, arsenal cinema

Retrospective Pietro Germi

Pietro Germi (1914–1974) was one of the outstanding personalities of Italian cinema from the 40s to the 70s. Born in Genoa, the director, actor, and screenwriter was one of the first generation of Neorealist directors alongside Visconti, De Sica, and Rossellini. Much like those of Antonio Pietrangeli, Germi’s directorial works represent a link between Neorealism and Commedia all’ italiana, “which doesn’t betray the former, but rather moves it forward in popular, satirical fashion” (Gerhard Midding). Germi gained international recognition and fame with his third film IN NOME DELLA LEGGE (1949), a milestone in the history of the mafia film which doubles up as a tribute to John Ford and Sicily, where Germi shot a total of five films. IL CAMMINO DELLA SPERANZA (1950), IL FERROVIERE (1956) and the literary adaptation UN MALEDETTO IMBROGLIO (1959), in which Germi also took on the leading role, established him as a significant force in Italian cinema. The Oscar-winning international success DIVORZIO ALL’ITALIANA followed in 1961, which was the start of a series of socially critical comedies about Italian customs, traditions, and laws which polemicized the discrimination of the woman and the dual morals of the bourgeoisie. What’s characteristic of Germi’s films is their precise observation of Italian life, their enthusiasm for the expressive power of faces, and the director’s humanist view of the world – who Otar Iosseliani saw as “one of the most noble-minded filmmakers ever to have existed”. For all their bitterness in the depiction of social living conditions, they are above all films “in which the heavy weight of life is assuaged by the rich depth of feeling, a warming maturity of the heart.” (Martin Schlappner)

From May 18 - 31, we are presenting eleven films by Pietro Germi from 1948 to 1972 in collaboration with the Italienisches Kulturinstitut. The retrospective is accompanied by four introductions and a lecture by Mario Sesti (19.5.).

may 2018, arsenal cinema

Magical History Tour: Production Design

The "eye of the director" – that's Ken Adams's pithy description of the function of the production designer (who is referred to variously as set designer or scenographer, depending on the production company, country, or period), who takes responsibility for a broad range of different tasks, starting with the conceptual visualization of the script and taking in the design of the cinematic universe all the way to the creation and implementation of the interiors and exteriors. The work of the production designer doesn't just leave its mark on the look of a film, but also on its atmosphere and mood and not just in design-intensive genre films. Despite being impossible to overlook, the key contribution made by production design to the all-embracing nature of cinematic art is too seldom recognized. All the more reason then to dedicate May’s Magical History Tour to the quite literally multiform world of production design.

may 2018, berlinale forum

Section head change for Berlinale Forum

Christoph Terhechte will vacate his position as director of the Berlinale Forum in July of 2018. He was appointed to the Forum selection committee in 1997, and in June of 2001 he took over the Forum director’s position from Ulrich Gregor, founder of the section, which has been presented by the Arsenal – Institute for Film and Video Art since 1971. Terhechte has also been a member of the Berlinale Competition selection committee since 2002. Christoph Terhechte now wishes to take on new career challenges.

arsenal cinema: Film:ReStored_02: The Festival of Film Preservation

10:00 am Cinema 1


Vorträge

Lob der Standards. Martin Koerber (Deutsche Kinemathek, Berlin)
10.15: Archival principles regarding digital film restoration (vs remastering) (in englischer Sprache). Michal Bregant (Národní filmový archiv, Prag)
11.00: Digitalisierung im Dialog mit dem Filmemacher. Thomas Worschech (Deutsches Filminstitut, Frankfurt)
11.30: Werkstattbericht: Ein Werk in Bewegung: Die Restaurierungsarbeiten der Wim Wenders Stiftung. Wim Wenders und Laura Schmidt (Wim Wenders Stiftung)
14.00: Podiumsgespräch: Schwieriges Erbe? Digitalisierungstrategien zwischen politischer Verantwortung und Auswertungsinteresse. Ralf Schenk (DEFA-Stiftung), Ernst Szebedits (Friedrich-Wilhelm-Murnau-Stiftung)
15.00: Werkstattbericht: 70 mm. Erfahrungen bei der Digitalisierung von DEFA 70. Stefanie Eckert und Ralf Schenk (beide DEFA-Stiftung)
15.30: *DEFA 70 Werner Bergmann DDR 1967 DCP 33 min
16.30: Werkstattbericht: Versionen. Zum Umgang mit verschiedenen Fassungen bei der Digitalisierung von Filmwerken. Anke Wilkening (Friedrich-Wilhelm-Murnau-Stiftung)

arsenal cinema: Film:ReStored_02: The Festival of Film Preservation

05:30 pm Cinema 1


Auf Wiedersehn, Franziska!

Auf Wiedersehn, Franziska!
Helmut Käutner Germany 1941 DCP 100 min

Introduced by Anke Wilkening
arsenal cinema: Magical History Tour - Cinema in the Plural

07:30 pm Cinema 2


Rejs

*Rejs The Cruise
Marek Piwowski Poland 1970
35 mm OV/GeS 65 min

arsenal cinema: Magical History Tour - Cinema in the Plural

08:00 pm Cinema 1


Warnung vor einer heiligen Nutte

Warnung vor einer heiligen Nutte
Rainer Werner Fassbinder FRG 1971
35 mm 103 min

arsenal cinema: Film:ReStored_02: The Festival of Film Preservation

09:30 pm Cinema 2


Bilder der Welt und Inschrift des Krieges

*Bilder der Welt und Inschrift des Krieges
Images of the World and the Inscription of War
FRG 1988 DCP OV/EnS 75 min