Jump directly to the page contents

Georg-von-Rauch-Haus Collective ALLEIN MACHEN SIE DICH EIN (1974)

Arsenal 60ff. Podcast

ALLEIN MACHEN SIE DICH EIN (1974)

The documentary portrays life in the occupied Georg-von-Rauch-Haus in Kreuzberg (directed by Susanne Beyeler, Rainer März and Manfred Stelzer, with the participation of the residents). Following the screening at the Forum, the collective’s speakers will lead a discussion with the audience.

Together with film curator Florian Wüst, we discuss the social conditions at the time the film was made, as well as the beginnings of alternative culture in West Berlin, and consider what we can learn from the 1970s today. The conversation with Wüst took place in summer 2023. It is followed by an audio recording of the audience discussion with representatives of the Georg-von-Rauch-Haus collective from 1974.

ALLEIN MACHEN SIE DICH EIN (meaning „You’re stronger together than alone“ – here is a link to the German film page of 1974 from the Forum) is a documentary about life in the Georg-von-Rauch-Haus. It was squatted by a group of young people in 1971, including young workers, apprentices, school students and teenagers who had fled residential care homes. They turned it into a shared housing project. The film portrays the young people’s living conditions, the difficulties of self-organisation and the politicisation of the squatters.

Florian Wüst works as a film curator, artist and publisher in Berlin. He curates film programmes and exhibitions for international art institutions, cinemas and festivals. Wüst has worked with the Arsenal Filminstitut on several occasions, including on "Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert? Film im West-Berlin der 80er Jahre" (2006) and "Living Archive – Archivarbeit als künstlerische und kuratorische Praxis der Gegenwart" (2013).

Florian Wüst is in conversation with Vali Djordjević. She is a social media editor for the Forum and the Arsenal Filminstitut, as well as a writer, photographer and translator. Most recently, she translated "Die Berliner Schule im globalen Kontext. Ein transnationales Arthouse-Kino" (Transcript Verlag, 2023), edited by Marco Abel and Jaimey Fisher.

Weitere Folgen von Arsenal 60ff.

So far, we have published conversations about Beth B.’s SALVATION!, Helke Misselwitz’s WINTER ADÉ, Helke Sander’s DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT – REDUPERS and Safi Faye’s FADJAL.

Beth B SALVATION! (1987)

Beth B SALVATION!

Beth B.’s film SALVATION! is a satire that anticipated the pop-cultural fascination with televangelism. The controversial audience discussion at the Berlinale Forum explores music video aesthetics and whether the director goes far enough or too far. Introduction by Bettina Ellerkamp (director and co-head of silent green Kulturquartier).

Helke Misselwitz WINTER ADÉ (1989)

Helke Misselwitz WINTER ADÉ (1989)

Helke Misselwitz’s WINTER ADÉ offers an immediate impression of life and the mood in the GDR one year before its collapse. The audience discussion at the Delphi cinema in former West Berlin took place in February 1989, just a few months before the fall of the Berlin Wall. Conversation with Birgit Kohler, program director of Arsenal cinema.

Helke Sander DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT – REDUPERS (1978)

Helke Sander DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT – REDUPERS (1978)

Helke Sander’s *DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT – REDUPERS* portrays the social reality of working single mothers and is also a document of enclosed West Berlin. We talk to Elena Baumeister and Fiona Berg from the feminist collective feminist elsewheres.

Safi Faye FADJAL (1979)

Safi Faye FADJAL (1979)

Safi Faye’s *FADJAL* combines documentary and fiction in a portrait of a Senegalese village. In the 1979 audience discussion, exoticising ideas from the audience meet an African filmmaker with a clear position of her own. Karina Griffith, film curator and member of the selection committee for Forum Expanded, provides the context.

Funded by:

  • Logo Minister of State for Culture and the Media